Mackie 1402-VLZ 14-Channel Mixer

No matter how much you spend on a microphone, its ultimate performance depends on how it interacts with the preamp it’s plugged into. Many high-end mic preamps can effortlessly amplify the slightest sonic nuance, creating an aural panorama that’s breathtakingly realistic, excitingly vivid, and truly 3-dimensional in scope. For years they’ve provided fidelity that just hasn’t been possible with the “stock” mic preamps built into mixing consoles. Until now.

• Advanced DC-pulse transformer RF rejection
• 60mm long-wearing log-taper faders
• 14 line inputs (6 mono, 4 stereo pairs)
• Separate RCA-type tape/CD inputs and tape outputs (unbalanced)
• 2 aux sends with 15dB of gain above Unity
• Aux 1 master with Monitor/Post assign switch
• 3-band active EQ (80Hz, 2.5kHz, 12kHz)
• 18dB/oct. 75Hz Lo Cut filter eliminates stage rumble, wind noise, P-pops, and low frequency recording studio room resonances
• Extra ALT 3-4 stereo bus for submixes, separate recording, monitor, and "mix minus" feeds
• Control Room/Phones multi-input source matrix