About the RME MADI-PRO 136-Channel Audio Interface
The RME MADI-PRO is a high-density professional audio interface that serves as a comprehensive bridge between MADI audio networks and computer-based recording systems via Thunderbolt and USB 3.0 connectivity. Engineered for the most demanding multi-track recording, broadcast, and live sound applications, it provides an exceptional channel count of 136 inputs and outputs, accommodating multiple concurrent MADI streams at high sample rates. The interface integrates RME's premier analog and digital conversion technology alongside the sophisticated SteadyClock FS, ensuring pristine audio quality and ultra-stable synchronization when interfacing with large-scale digital consoles, stageboxes, and external converter systems.
This unit distinguishes itself with versatile digital I/O, featuring four independent MADI ports that can be configured for a combination of optical and coaxial connections, providing flexible integration into existing MADI infrastructures. Beyond MADI, it offers additional AES/EBU and ADAT ports, along with two high-quality microphone/line preamps on the front panel for direct recording needs. The integrated DSP-powered TotalMix FX mixer delivers a complete, zero-latency monitoring and routing environment with full recallability, EQ, dynamics, and effects on every channel, enabling complex cue mixes and signal management entirely independent of the connected computer's DAW software.
Built for reliability in mission-critical environments, the MADI-PRO supports dual computer connections with both Thunderbolt and USB 3.0, offering cross-platform compatibility with macOS and Windows through RME's industry-leading, low-latency drivers. Its robust metal chassis is designed for rack mounting, and the unit can be powered via the Thunderbolt connection or an optional external power supply. By combining massive channel capacity, format flexibility, and uncompromising audio fidelity, the MADI-PRO establishes itself as a cornerstone interface for large studio complexes, mobile recording trucks, and broadcast facilities where scalability and absolute reliability are paramount.