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MIDAS

MIDAS S/560 56-Channel, 16-Bus Sound Reinforcement Mixing Console

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The Midas Siena 560 is a 56-channel, 16-bus analog mixing console ideal for FOH or monitor mixing in live sound settings. It includes high-quality Midas preamps, a four-band EQ on each channel, and dual internal power supplies for reliable operation. The console is known for its rich, warm analog sound and robust build quality. The unit listed includes a custom road case with a doghouse for convenient cable management and transport.

View Product Features

  • 56 mic/line inputs with +60 dB gain range
  • 16 mix/aux busses (configurable mono/stereo)
  • Four-band swept EQ per input with HPF and inserts
  • Solo Tracking System for silent soloing and external EQ control
  • Direct outputs on all input channels
  • 12×4 matrix outputs for flexible routing
  • Dual redundant power supplies
  • Extensive metering with 16-segment output and 4-segment input LED meters
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About the MIDAS S/560 56-Channel, 16-Bus Sound Reinforcement Mixing Console

The MIDAS S/560 is a large-format, touring-grade analog mixing console engineered for the most demanding professional sound reinforcement applications in concerts, festivals, and major theatrical productions. As a cornerstone of the classic MIDAS Heritage Series, it is revered for its sonic transparency, robust build quality, and comprehensive feature set that provides engineers with total creative control over complex mixes. The console offers 56 input channels arranged across two sections, feeding into a flexible 16-bus architecture that allows for intricate subgrouping, extensive auxiliary routing for monitors and effects, and a powerful four-band equalizer with two fully parametric mid-bands on every channel. Its design philosophy centers on delivering unparalleled audio fidelity, with a signal path built around discrete, hand-selected components and the proprietary MIDAS Class-A microphone preamplifier, ensuring warmth, clarity, and headroom.

The channel strip is a model of analog engineering efficiency, providing immediate access to all critical functions including high-pass filters, polarity reverse, and four auxiliary sends with pre/post fader switching. The console includes dedicated stereo inputs and a comprehensive monitor section, allowing it to manage both front-of-house and monitor mixing from a single surface when needed. The master section features VCA group masters, comprehensive matrix outputs for zone feeding or additional processing, and a built-in talkback system. Every aspect of the S/560 is built for speed and reliability in a live environment, with a logically organized control surface, illuminated switches, and high-quality conductive plastic faders that withstand rigorous nightly use.

Housed in a massive, flight-cased frame constructed from heavy-gauge steel and durable panels, the S/560 is built to endure the physical demands of international touring. Its modular design facilitates servicing and component replacement in the field. While representing the pinnacle of traditional analog console design before the digital era, the MIDAS S/560 remains a highly sought-after piece of audio history, prized by engineers for its definitive sonic character, tactile workflow, and the absolute reliability that comes from its straightforward, all-hardware operation. It embodies a period where mixing consoles were considered lifelong investments and benchmarks for pure analog sound quality.

Key Features

  • 56 mic/line inputs with +60 dB gain range
  • 16 mix/aux busses (configurable mono/stereo)
  • Four-band swept EQ per input with HPF and inserts
  • Solo Tracking System for silent soloing and external EQ control
  • Direct outputs on all input channels
  • 12×4 matrix outputs for flexible routing
  • Dual redundant power supplies
  • Extensive metering with 16-segment output and 4-segment input LED meters

MIDAS S/560 56-Channel, 16-Bus Sound Reinforcement Mixing Console Specs

Console Architecture
Configuration
56 Input Channels, 16 Buses
Type
Analog Sound Reinforcement Console
Series
Heritage Series
Channel Processing
Microphone Preamps
MIDAS Discrete Class-A
Equalizer
4-Band, 2 Fully Parametric Mids
Auxiliary Sends
4 per Channel (Pre/Post)
Routing & Outputs
Group Buses
16 Mono or Stereo Pairs
Matrix Outputs
6 x 2 (Stereo)
Direct Outputs
Per Channel (Pre/Post EQ)
Master Section
VCA Groups
8
Monitor Section
Dedicated with Separate EQ
Talkback
Built-in with Oscillator
Physical Build
Construction
Heavy-Gauge Steel Frame
Modularity
Field-Serviceable Cards
Faders
100mm Conductive Plastic

Key Features

  • 56 mic/line inputs with +60 dB gain range
  • 16 mix/aux busses (configurable mono/stereo)
  • Four-band swept EQ per input with HPF and inserts
  • Solo Tracking System for silent soloing and external EQ control
  • Direct outputs on all input channels
  • 12×4 matrix outputs for flexible routing
  • Dual redundant power supplies
  • Extensive metering with 16-segment output and 4-segment input LED meters
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