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Ashly

Ashly Protea System II 4.24 GS, 4 Channel 24 Bit Digital Graphic Equalizer System Processor Slave

$210.00

A four-channel digital graphic equalizer in Ashly’s Protea System II series, offering 28-band per channel 1/3‑octave EQ precision with 24‑bit audio processing. Designed as a slave unit for master Protea controllers or software, it supports balanced XLR and ¼″ I/O, RS‑232/MIDI integration, programmable filters, compressors, delays and 128 preset storage, suitable for professional live sound and installations.

View Product Features

  • Four independent 24‑bit EQ channels with 28 bands per channel
  • ±15dB boost/cut in 0.5dB steps covering 31Hz–16kHz
  • Balanced XLR and ¼″ inputs and outputs with unity gain
  • Programmable compressor/limiter, delay, high/low‑pass filters
  • Control via Protea master unit, 4.24RD remote, MIDI or RS‑232
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About the Ashly Protea System II 4.24 GS, 4 Channel 24 Bit Digital Graphic Equalizer System Processor Slave

The Ashly Protea System II 4.24 GS is a dedicated digital signal processor configured as a graphic equalizer system, operating as a slave unit within the comprehensive Ashly Protea System II networked audio ecosystem. This unit is engineered for large-scale, fixed-installation sound reinforcement where precise, multi-zone equalization and system control are paramount. The designation "4.24 GS" indicates its core configuration: 4 input channels, 24 output channels, and a processing focus on Graphic Equalization. Its primary function is to provide detailed, 1/3-octave graphic EQ control on each of its 24 outputs, allowing audio system designers and technicians to meticulously tune each speaker zone or output path in complex venues like performing arts centers, stadiums, houses of worship, and corporate auditoriums to correct for room acoustics and achieve a flat, uniform frequency response.

As a slave processor, the 4.24 GS does not operate in isolation. It must be connected to an Ashly Protea System II Master Controller unit via a proprietary high-speed data network. All programming, real-time adjustments, and system control are executed from the master controller using Ashly's Protea Software on a connected computer. This master/slave architecture allows multiple slave units (like additional 4.24 GS or other processors) to be combined, creating a massively scalable processing system with centralized control. Once programmed, the slave unit can operate independently, but any configuration changes require communication through the master. The unit provides full DSP capabilities beyond graphic EQ, including parametric EQ, dynamics processing (compressors, limiters), delay, and crossover functions, all assignable per channel via the software. Housed in a single rack-unit, robust chassis, it is built for 24/7 reliability in professional installed sound applications.

Key Features

  • Four independent 24‑bit EQ channels with 28 bands per channel
  • ±15dB boost/cut in 0.5dB steps covering 31Hz–16kHz
  • Balanced XLR and ¼″ inputs and outputs with unity gain
  • Programmable compressor/limiter, delay, high/low‑pass filters
  • Control via Protea master unit, 4.24RD remote, MIDI or RS‑232

Ashly Protea System II 4.24 GS, 4 Channel 24 Bit Digital Graphic Equalizer System Processor Slave Specs

System Architecture & Role
Function
Slave Digital Signal Processor (Graphic Equalizer System)
System Requirement
Must be used with an Ashly Protea System II Master Controller
Audio Configuration
4 Input Channels, 24 Output Channels
Processing Specialty
24 bands of 1/3-octave graphic EQ per output channel
Signal Processing Capabilities
Graphic Equalization
24 bands of 1/3-octave graphic EQ on every output
Parametric EQ
Multiple fully parametric EQ bands available per channel
Dynamic Processing
Compressors, Limiters, Gates (configurable per channel)
Delay
Up to 680 milliseconds per channel
Crossover
Fully configurable high-pass, low-pass, and bandpass filters
Audio Performance
A/D - D/A Resolution
24-bit
Sample Rate
48 kHz
Frequency Response
20 Hz - 20 kHz, +0/-0.5 dB
Dynamic Range
>105 dB (unweighted)
Total Harmonic Distortion + Noise
<0.005% @ +4 dBu, 1 kHz
Input/Output Connectivity
Analog Inputs
4 x XLR balanced
Analog Outputs
24 x XLR balanced
Control & Programming
Control Interface
No front-panel controls. Configured exclusively via Ashly Protea Software on a PC, connected through a Protea System II Master Controller.
Data Network
Proprietary Protea System II data link port
Physical & Electrical
Form Factor
1U, 19-inch rack-mountable
Power Supply
Internal, auto-switching (100-240V AC, 50/60Hz)
Dimensions (WxDxH)
483 mm x 248 mm x 44 mm (19" x 9.75" x 1.75")
Weight
Approximately 5 kg (11 lbs)

Key Features

  • Four independent 24‑bit EQ channels with 28 bands per channel
  • ±15dB boost/cut in 0.5dB steps covering 31Hz–16kHz
  • Balanced XLR and ¼″ inputs and outputs with unity gain
  • Programmable compressor/limiter, delay, high/low‑pass filters
  • Control via Protea master unit, 4.24RD remote, MIDI or RS‑232
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