Stay Tuned for AVGear's Next Auction! Learn More

🔥 AVGear Deal Zone 🔥

Save on Pro AV Gear. Limited quantities.

Sennheiser

Sennheiser e 901 Half-Cardioid Boundary Microphone for Kick Drums

$279.00

Condenser boundary plate microphone. Half-cardioid for a precise, fast, and realistic sound from a kick drum. Also for conference tables, podiums, altars, stages, pianos, and percussion. Full-bodied response.
 
Professional pre-polarized, half-cardioid, boundary layer condenser for bass drum, Leslie and low frequency instrument applications (1 lb 2.4 oz).

View Product Features

  • Optimized for Kick Drums: Specifically designed for kick drum, grand piano, and similar instruments.
  • Half-Cardioid Polar Pattern: Effective against feedback, great sound isolation.
  • Withstands High SPL: Handles extremely high sound pressure levels without distortion.
  • Integrated Preamp & Gold XLR: Built-in preamp with gold-plated XLR connector.
  • Fast Transient Response: Captures quick, clear drum attacks and detailed sound.
  • Extremely Rugged Housing: Durable body built to withstand tough stage use.
In stock

Scroll below to see our current inventory for this item.

Already own this item and want to sell it?

About the Sennheiser e 901 Half-Cardioid Boundary Microphone for Kick Drums

The Sennheiser e 901 is a specialized half-cardioid dynamic boundary microphone engineered specifically for capturing the full impact and tone of a kick drum. Its unique half-cardioid polar pattern is designed to be placed directly on a surface—in this case, often inside the kick drum on a pillow or damping material, or just outside the drum's sound hole on a stand. This positioning leverages the boundary effect, which increases bass response and provides a tight, punchy sound with enhanced low-frequency extension and controlled attack. The microphone's tailored frequency response emphasizes the fundamental thump and beater click while minimizing boxy midrange resonances.

Built with a rugged, low-profile housing, the e 901 is designed to withstand the high sound pressure levels inside a drum. It often includes versatile mounting options, such as a rubber isolation pad or a dedicated stand adapter. By combining boundary microphone technology with a drum-specific design, the e 901 offers sound engineers an alternative to traditional kick drum microphones, capable of delivering a powerful, focused, and well-defined kick sound that requires minimal equalization, making it a popular choice in both live sound and studio recording.

Key Features

  • Optimized for Kick Drums: Specifically designed for kick drum, grand piano, and similar instruments.
  • Half-Cardioid Polar Pattern: Effective against feedback, great sound isolation.
  • Withstands High SPL: Handles extremely high sound pressure levels without distortion.
  • Integrated Preamp & Gold XLR: Built-in preamp with gold-plated XLR connector.
  • Fast Transient Response: Captures quick, clear drum attacks and detailed sound.
  • Extremely Rugged Housing: Durable body built to withstand tough stage use.

Sennheiser e 901 Half-Cardioid Boundary Microphone for Kick Drums Specs

Microphone Properties
Microphone Type
Dynamic Boundary Microphone
Polar Pattern
Half-Cardioid (Boundary)
Frequency Response
Tailored for Kick Drum
Physical Design
Housing
Low-Profile, Rugged
Mounting
Rubber Isolation Pad/Stand Adapter
Application
Placement on Surface/Inside Drum
Use Case
Primary Use
Kick Drum Miking
Sound Character
Enhanced Low End, Punchy Attack
Benefit
Boundary Effect for Increased Bass Response

Key Features

  • Optimized for Kick Drums: Specifically designed for kick drum, grand piano, and similar instruments.
  • Half-Cardioid Polar Pattern: Effective against feedback, great sound isolation.
  • Withstands High SPL: Handles extremely high sound pressure levels without distortion.
  • Integrated Preamp & Gold XLR: Built-in preamp with gold-plated XLR connector.
  • Fast Transient Response: Captures quick, clear drum attacks and detailed sound.
  • Extremely Rugged Housing: Durable body built to withstand tough stage use.
Make an offer
Make an offer
Make an offer