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Ashly

Ashly LX-308 Stereo Eight Channel Line/Microphone Mixer

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The Ashly LX-308B Line Mixer can function as a true stereo 8-channel line level mixer, or can be used as a sixteen channel mono mixer. The LX-308B can be used on its own whenever stereo line level sources need to be combined. This low-profile, single-rackspace mixer is ideal for installations such as boardroom and conference room sound systems, multimedia applications, broadcast studios, and mobile/field units, as well as live sound and recording situations. It includes a universal switching power supply that allows you to use it anywhere. If you need maximum flexibility for your setup in a package that takes up minimal space, the Ashly LX-308B is the line mixer for you!

View Product Features

  • Balanced inputs and outputs
  • Eight stereo or 16 mono balanced inputs
  • Individual left, right, and mono inputs
  • Channel 1 and 2 selectable mic or line inputs
  • Unity gain signal path throughout when all level controls are set at 12 o'clock
  • L and R level meters with clip indicators monitor all internal amplifiers
  • Individual channel mute switches
  • Stereo output mute switch
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About the Ashly LX-308 Stereo Eight Channel Line/Microphone Mixer

The Ashly LX-308 is a compact, rack-mountable mixer that blends straightforward functionality with the robust audio performance characteristic of the Ashly brand. Designed as an eight-channel stereo mixer, it provides a flexible solution for small-scale sound reinforcement, conference rooms, houses of worship, and distributed audio systems where a simple yet reliable mixing core is required. Each of its eight input channels is versatile, accepting either microphone or line-level signals via balanced XLR and 1/4" TRS connectors, with a gain control and a stereo pan/balance knob to position the source within the stereo field. This design allows it to handle a mix of microphones, playback devices, and background music sources simultaneously.

Audio integrity is a key focus. The LX-308 utilizes high-quality, discrete components and a transparent signal path to ensure clean gain and minimal noise, making it suitable for critical listening applications. While it forgoes complex parametric EQ in favor of simplicity, it often includes a global tone control section (bass and treble) to make broad adjustments to the main output. The mixer features both stereo main outputs on XLR connectors and an additional mono mixed output, providing flexibility for feeding different zones or recorders. Its straightforward layout, with clear metering via LED level indicators, makes it accessible for operators of all experience levels.

Built for installation and reliability, the mixer is housed in a sturdy, half-rack-width metal chassis. Its design emphasizes set-and-forget operation, making it ideal for fixed applications where a technician will configure it during installation and then leave it for daily use by non-technical staff. The internal power supply simplifies rack integration. The Ashly LX-308 excels in situations that demand more audio quality and build durability than a consumer plastic mixer can provide, but do not require the expanded feature set of a larger digital console, serving as a dependable and sonically transparent hub for small audio systems.

Key Features

  • Balanced inputs and outputs
  • Eight stereo or 16 mono balanced inputs
  • Individual left, right, and mono inputs
  • Channel 1 and 2 selectable mic or line inputs
  • Unity gain signal path throughout when all level controls are set at 12 o'clock
  • L and R level meters with clip indicators monitor all internal amplifiers
  • Individual channel mute switches
  • Stereo output mute switch

Ashly LX-308 Stereo Eight Channel Line/Microphone Mixer Specs

Mixer Core
Channels
8 Stereo Input Channels
Rack Units
1U Half-Rack
Input Specifications
Input Types
Mic/Line Combo (XLR/TRS)
Gain Control
Per Channel
Output Options
Main Outputs
Stereo XLR
Auxiliary Output
Mono Mix
Tone Control
Global EQ
Bass & Treble
Power Supply
Power Type
Internal

Key Features

  • Balanced inputs and outputs
  • Eight stereo or 16 mono balanced inputs
  • Individual left, right, and mono inputs
  • Channel 1 and 2 selectable mic or line inputs
  • Unity gain signal path throughout when all level controls are set at 12 o'clock
  • L and R level meters with clip indicators monitor all internal amplifiers
  • Individual channel mute switches
  • Stereo output mute switch
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