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Fostex

Fostex PD-4 Professional Portable Timecode DAT Recorder

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The Fostex PD-4 is a professional, portable timecode DAT (Digital Audio Tape) recorder known for its robust features for location recording. It's a four-head design allowing for confidence monitoring, and it offers both recording and playback of SMPTE/EBU timecode. The PD-4 also boasts a three-channel mixer, full-logic transport, and various digital audio interfaces.

View Product Features

  • Timecode: Records and plays back SMPTE/EBU timecode, including JAM sync, making it suitable for film and video work.
  • Four-Head Design: Enables simultaneous recording and playback for confidence monitoring.
  • Three-Channel Mixer: Provides flexibility for recording multiple audio sources, such as voice and background, with features like panpots, phantom power, and a high-pass filter.
  • Digital Audio Formats: Supports both consumer (SPDIF) and professional (AES/EBU) digital audio formats.
  • Sampling Frequencies: Offers three sample frequencies: 48 kHz, 48.048 kHz, and 44.1 kHz.
  • Full-Logic Transport: Ensures reliable and error-free operation.
  • Compact and Durable: Designed for portability and use in demanding environments.
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About the Fostex PD-4 Professional Portable Timecode DAT Recorder

The Fostex PD-4 is a professional portable DAT (Digital Audio Tape) recorder that established itself as a critical tool in field recording, location sound for film and video, and broadcast journalism during the peak of the DAT format's prominence. Engineered for robustness and reliability in challenging environments, it records two channels of uncompressed digital audio onto standard R-DAT cassettes, with a primary focus on maintaining pristine audio quality and, crucially, generating and reading longitudinal SMPTE timecode. This integrated timecode capability was essential for synchronization with film cameras, video recorders, and other audio devices in multi-track or double-system sound recording scenarios, making the PD-4 a standard for location sound mixers and recordists in the 1990s and early 2000s.

The unit's design prioritizes operational functionality and durability, featuring a solid metal chassis, comprehensive physical controls for transport and recording functions, and a clear alphanumeric display for monitoring timecode, audio levels, and machine status. It offers flexible input options via balanced XLR connectors with switchable phantom power, accommodating both microphone and line-level sources, and provides both analog and digital (S/PDIF) outputs. The internal timecode generator is highly stable, capable of free-run, record-run, and jam-sync modes, allowing it to synchronize precisely with external timecode sources or to become the master clock for a production. Its portability, powered by both AC adapters and rechargeable battery packs, made it a go-to solution for remote recordings where power was not guaranteed.

While the DAT format has been largely superseded by solid-state recorders, the Fostex PD-4 represented a significant leap in portable digital recording technology, offering broadcast-quality digital audio capture with reliable, frame-accurate synchronization in a self-contained, roadworthy package. Its legacy lies in its contribution to standardizing timecode-based workflows in field production, providing location sound teams with a dependable and high-fidelity recording solution that could withstand the physical demands of documentary, film, and news gathering outside the controlled studio environment.

Key Features

  • Timecode: Records and plays back SMPTE/EBU timecode, including JAM sync, making it suitable for film and video work.
  • Four-Head Design: Enables simultaneous recording and playback for confidence monitoring.
  • Three-Channel Mixer: Provides flexibility for recording multiple audio sources, such as voice and background, with features like panpots, phantom power, and a high-pass filter.
  • Digital Audio Formats: Supports both consumer (SPDIF) and professional (AES/EBU) digital audio formats.
  • Sampling Frequencies: Offers three sample frequencies: 48 kHz, 48.048 kHz, and 44.1 kHz.
  • Full-Logic Transport: Ensures reliable and error-free operation.
  • Compact and Durable: Designed for portability and use in demanding environments.

Fostex PD-4 Professional Portable Timecode DAT Recorder Specs

Recording Format
Tape Format
R-DAT (Digital Audio Tape)
Sampling Frequency
48 kHz, 44.1 kHz, 32 kHz
Quantization
16-bit Linear
Channels
2 (Stereo or Dual Mono)
Timecode & Synchronization
Timecode Standard
SMPTE/EBU (Drop/Non-Drop)
Timecode I/O
LTC (Linear Timecode) via XLR
Sync Modes
Free Run, Record Run, Jam Sync
Timecode Accuracy
±1 Frame
Inputs & Outputs
Analog Inputs
2 x XLR (Mic/Line, +48V Phantom)
Analog Outputs
2 x XLR (Line Level)
Digital I/O
S/PDIF (RCA)
Headphone Output
1/4" Stereo Jack
Physical & Power
Power Supply
12V DC (External)
Battery Operation
Rechargeable NP-1 Style
Dimensions
10.2" x 4.6" x 7.1"
Weight
9.9 lbs (4.5 kg) with battery
Monitoring & Transport
Display
Alphanumeric LCD
Level Meters
LED Peak/Hold
Tape Speed
8.15 mm/sec

Key Features

  • Timecode: Records and plays back SMPTE/EBU timecode, including JAM sync, making it suitable for film and video work.
  • Four-Head Design: Enables simultaneous recording and playback for confidence monitoring.
  • Three-Channel Mixer: Provides flexibility for recording multiple audio sources, such as voice and background, with features like panpots, phantom power, and a high-pass filter.
  • Digital Audio Formats: Supports both consumer (SPDIF) and professional (AES/EBU) digital audio formats.
  • Sampling Frequencies: Offers three sample frequencies: 48 kHz, 48.048 kHz, and 44.1 kHz.
  • Full-Logic Transport: Ensures reliable and error-free operation.
  • Compact and Durable: Designed for portability and use in demanding environments.
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