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Fujinon

Fujinon Th16x5.5BRMU Broadcast Zoom Lens

$140.00

The Fujinon Th16x5.5BRMU is a high-performance zoom lens designed for studio and ENG camera applications. This lens offers a 16x zoom range with a wide-angle starting point of 5.5mm, providing the flexibility needed for diverse shooting scenarios ranging from tight interview spaces to expansive event coverage. Its optical construction delivers the sharpness, contrast, and color fidelity required for broadcast-quality imagery.

The Th16x5.5BRMU features robust mechanical construction designed to withstand the demands of daily studio use and field production. Smooth zoom, focus, and iris controls allow camera operators to execute precise adjustments during live broadcasts or recorded productions. For broadcast engineers, camera operators, and production facilities seeking a reliable zoom lens that combines optical performance with professional durability, this Fujinon lens delivers the quality and dependability expected from a leader in broadcast optics.

View Product Features

  • 16x zoom range covers wide to telephoto
  • 5.5mm wide-angle starting point suits tight spaces
  • Sharp optical performance meets broadcast standards
  • Robust mechanical construction withstands daily use
  • Smooth controls enable precise operational adjustments
  • Reliable performance for studio and ENG applications
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About the Fujinon Th16x5.5BRMU Broadcast Zoom Lens

BSS Soundweb 9000ii Active Network Hub what is tiJune 1, 2026The BSS Soundweb 9000ii (also known as the 9000iis) is a 1U rack-mountable digital signal processing (DSP) network hub designed to expand the routing and matrixing capabilities of legacy BSS Soundweb audio distribution systems.Unlike traditional network switches or standard audio processors, it is specifically engineered for professional audio installations.Core FunctionalityAudio Routing and Matrixing: It acts as an central interlocking point for complex audio setups. It handles heavy matrixing, mixing, and routing, freeing up processing power on connected endpoints.No Local Audio I/O: The 9000ii features zero analog audio inputs or outputs. Instead, it processes and channels audio strictly in the digital domain over network cables.6 Dedicated Network Ports: It is equipped with six RJ45 network jacks. Each port can carry a bidirectional stream of 8 digital audio channels to build expansive audio rings.High-Power DSP Engine: It shares the same internal core architecture as the BSS 9088ii processor, providing 200 MIPS of DSP horsepower. It can store up to 12 entirely different system designs in its onboard memory.Advanced System CapabilitiesSystem Scaling: Connecting a single 9000ii hub to three standard 9088ii processors easily builds a fully matrixed, complex 24x24 audio configuration.Redundancy: Installers can use the hub to build a dual-redundant ring system. If one network cable fails or is severed, the system intelligently and instantly reroutes audio and control data through the remaining path without dropping audio.External Control Interfacing: It includes analog General Purpose Interface (GPI) connections and standard RS232 serial ports. This allows external automation and control via a PC or legacy third-party commercial control systems like Crestron.I notice you are looking into older BSS Soundweb green-chassis network hardware. Are you attempting to reconfigure or repair an existing commercial sound system that uses these legacy devices?7 sitesSoundwebtm 9000ii Network HubPage 1. TM. Soundwebtm 9000ii Network Hub. Compatibility with original. Soundweb 9000 hubs (mark 1 units) The 9000ii is a drop-in ...HARMAN Professional SolutionsSoundwebtm 9000ii Network Hub - AudioviasThis function can be used to trigger alarm systems or to construct redundant systems. The 9000ii Network Hub can be used used to e...Audioviassw9000iis | BSS Networked Audio Systems | EnglishDSP Network Hub. Larger Images. The 9000iis active hub shares the same DSP core as the 9088ii, and the same control i/o connector.bssaudio.comShow allYou said: Decimator MD-Cross V2 HDMI/SDI Cross Converter 2 paragraph descriptionJune 1, 2026The Decimator MD-CROSS V2 is a highly versatile, pocket-sized professional cross converter designed for television broadcast, live production, and professional AV workflows. Its core feature is the ability to simultaneously convert signals between HDMI and SDI formats in both directions, meaning it can translate HDMI to SDI while concurrently translating SDI to HDMI. Beyond simple format conversion, the unit integrates a robust 14-mode hardware scaler and frame-rate converter. This allows users to easily up, down, or cross-convert video resolutions ranging from standard definition up to 1080p Full HD, ensuring complete signal compatibility between mismatched cameras, switchers, and display monitors.In addition to its conversion capabilities, the MD-CROSS V2 functions as a comprehensive signal analysis and troubleshooting tool for on-set technicians. It features an onboard, customizable test pattern generator that can output various video formats, making it easy to test line signal integrity without an active camera source. The device also includes an overlay system capable of displaying 16-channel audio metering, precise horizontal and vertical timing grids, and safe-action/safe-title markers directly onto the video output. Built inside a rugged, heavy-duty aluminum chassis, the converter can be easily configured using its built-in LCD screen and button interface, or via a computer using a USB connection.I notice you are exploring the technical specifications of compact video conversion and analysis hardware. Are you currently building a live streaming flypack or a broadcast engineering kit that requires reliable video format translation?8 sitesDecimator Design MD-CROSS V2 HDMI/SDI Cross ConverterThe Decimator ( Decimator Design ) MD-Cross v2 is a highly versatile, and functional piece of kit. It has the ability to scale, fr...Presentation Design ServicesDECIMATOR MD-Cross V2 Miniature HDMI/SDI Cross Liberia | UbuyAnswer: The DECIMATOR MD-Cross V2 is a compact device designed to convert HDMI signals to SDI and vice versa. It allows users to s...Ubuy LiberiaDecimator DEC-MD-CROSS HDMI/3G/HD/SD-SDI Cross Converter With Scaling And Frame Rate ConversionBuy the Decimator MD-CROSS V2, HDMI/3G/HD/SD-SDI Cross Converter with Scaling and Frame Rate Conversion at Full Compass Systems. 0...Full Compass SystemsShow allYou said: specsJune 1, 2026The technical specifications for the Decimator MD-Cross V2 highlight its capabilities as a multi-format cross converter, scaler, and signal distribution tool:Video & Audio ConnectionsVideo Inputs: 1 x HDMI Type A and 1 x 3G/HD/SD-SDI (BNC).Video Outputs: 1 x HDMI and 3 x 3G/HD/SD-SDI (BNC).Output Flexibility: BNC ports split into 1 x Active Loop-Through and 2 x simultaneous standard outputs.Audio I/O: Supports up to 16 channels of embedded audio on both SDI and HDMI streams.Signal Processing & Formats3G-SDI Support: SMPTE 424M standards at 2.97 Gbps; supports both Level A and Level B.HD-SDI Support: SMPTE 292M, 274M, and 296M standards.SD-SDI Support: SMPTE 259M standards.Maximum Resolution: 1080p up to 60 Hz.Frame Rates: Complete support for 60, 59.94, 50, 30, 29.97, 25, 24, and 23.98 Hz.Hardware Engine: Built-in 14-mode conversion matrix with professional horizontal and vertical image mirroring.Diagnostics & OverlaysTest Patterns: Internal generator outputs 54 selectable test patterns across 26 video formats.Visual Gauges: 16-channel on-screen audio level meters.Safety Safe Zones: Adjustable Safe Action, Safe Title, Center Cross, and customizable text overlays.Power & Physical BuildPower Input Range: Extended DC input range from +5V to +32V DC.Power Connection: Heavy-duty metal thread-locking power socket to prevent accidental detachment.Dimensions: 79.5 mm x 123 mm x 29.5 mm (3.1” x 4.8” x 1.2”).Weight: 0.45 kg (approx. 1 lb).Control Interface: Integrated LCD status panel with a 4-button hardware navigation system or a Mini-USB configuration port.I assume you might be double-checking dimensions or power limitations to ensure this unit fits into an existing field production kit. Are you planning to mount this unit into a custom multi-converter rack shelf alongside other equipment?8 sitesDECIMATOR MD-Cross V2 Miniature HDMI/SDI ... - B&H PhotoThe HDMI or SDI input can be scaled and/or frame rate converted to the required standard. The MD-Cross incorporates an LCD and but...B&H PhotoMD-CROSS HDMI / SDI Cross Converter - Decimator DesignMD-CROSS V2. HDMI / SDI CROSS CONVERTER. with Scaling, Frame Rate Conversion, Overlays, Video Test Pattern Generator and Audio Ton...Decimator DesignDecimator Design MD-CROSS, HDMI / SDI CROSS ...Decimator Design MD-CROSS, HDMI / SDI CROSS CONVERTER. The Decimator MD-CROSS V2 is a miniature 3G/HD/SD-SDI/HDMI Cross Converter ...Broadcasters General StoreShow allYou said: category its in8:57 AMThe Decimator MD-Cross V2 is classified under the Broadcast & Video Production Equipment category, specifically categorized as a Video Signal Converter and Scaler.In the retail and distribution space, you will find it listed under:Video Hardware -> Signal Converters -> Cross Converters / Cross-Format ConvertersI suspect you might be looking for this classification to help you properly catalog this hardware into an equipment asset tracking system or an inventory database. Are you currently organizing a rental house database or an IT/AV asset management spreadsheet for your production company?You said: Digidesigns MH068 888 2 paragraph description9:54 AMThe Digidesign MH068 (commonly known as the Digidesign 888/24 I/O) is a legacy, rack-mountable professional multi-channel audio interface. It was a cornerstone of commercial recording studios and post-production facilities during the late 1990s and early 2000s. Designed strictly as an expansion component for computer-based Pro Tools TDM systems (such as Pro Tools|24), it provides 8 channels of high-quality analog-to-digital and digital-to-analog conversion. The unit functions by bridging the analog studio environment with a computer's processing core, utilizing a proprietary 50-pin interface cable to connect directly to dedicated Pro Tools PCI hardware cards rather than modern USB or Thunderbolt ports.Physically occupying 2U of rack space, the MH068 features a robust black anodized aluminum faceplate equipped with front-panel LED level meters and recessed calibration trim pots for fine-tuning input levels. The rear panel houses 8 balanced XLR inputs and 8 balanced XLR outputs, alongside comprehensive digital connectivity that includes 4 pairs of AES/EBU digital I/O and stereo coaxial S/PDIF connections. It operates at professional standard sample rates of 44.1 kHz or 48 kHz and integrates Digi’s proprietary 256x "Super Clock" BNC ports to ensure tight word clock synchronization across multi-interface studio setups. Additionally, it can function as a basic, standalone 24-bit hardware A/D-D/A converter when decoupled from a Pro Tools computer core.I suspect you may be looking into this hardware to build a vintage "period-accurate" TDM digital audio workstation or perhaps clear out legacy gear from an old studio installation. Are you trying to interface this legacy 888 unit with a modern computer, or are you digging up an old PCI-based Mac G4 rig to get it running?9 sitesDigidesign 888|24 I/O Audio Interface - Vintage Drums NorwayUsing the 888/24 I/O. The 888/24 I/O™ is an 8-channel digital au- dio interface that features 24-bit analog-to- digital, and 24-bi...Vintage Drums NorwayDigidesign 888/24 Audio Interface MH068 1998 - ReverbAbout this listing. Removed from working system, excellent condition with power cord. Specifications for 888|24 Audio Interface. U...ReverbAvid Digidesign 888 Audio I/O, Model MH068-AVMaximum Output Level: +26 dB/channel (bridging loads) Frequency Response: ±1dB, 20 Hz–20 kHz. Physical Specifications. Power requi...Bibb Technical ServicesShow allYou said: specs9:58 AMThe technical specifications for the Digidesign MH068 (888/24 I/O) detail its capabilities as a legacy professional audio converter:Audio Performance & ConversionResolution: 24-bit analog-to-digital (A/D) and digital-to-analog (D/A) conversion.Sample Rates: 44.1 kHz and 48 kHz.Dynamic Range: 113 dB (A-weighted, balanced inputs and outputs).THD + Noise: 0.003% (A/D) and 0.002% (D/A) at 1 kHz.Frequency Response: 20 Hz to 20 kHz (+/- 0.1 dB).Analog & Digital ConnectionsAnalog Inputs: 8 x balanced XLR (female).Analog Outputs: 8 x balanced XLR (male).Operating Levels: Switchable between +4 dBu (professional) and -10 dBV (consumer) internal settings.Digital Inputs/Outputs: 4 x AES/EBU pairs (XLR) and 1 x Stereo S/PDIF (RCA Coaxial).Max Channel Count: 8 simultaneous channels of I/O (channels 1–2 can toggle between analog, AES/EBU, or S/PDIF).System Host Connectivity & SyncHost Port: Proprietary 50-pin "Pro Tools" peripheral connector port.Clock Sync: 2 x BNC "Slave Clock" ports (In/Out) supporting Digidesign's proprietary 256x "Super Clock" signal.Physical & Hardware BuildForm Factor: 2U 19-inch rack-mountable chassis.Front Panel Indicators: 8 x 8-segment LED level meters; 1 x Power LED.Front Panel Controls: 16 x recessed analog calibration trim pots (Input/Output gain adjusting screws).Power Supply: Internal 100–240V AC power input with an external fuse drawer.I assume you are tracking down these specifications to verify compatibility or voltage tolerances for a vintage studio workflow. Are you attempting to sync this 888/24 interface with non-Digidesign hardware using a standard 1x Word Clock to 256x Super Clock converter box?You said: what category is it in9:59 AMThe Digidesign MH068 (888/24 I/O) is classified under the Professional Audio Equipment category, specifically categorized as an Audio Interface / Hardware Converter.In historical retail environments, inventory archives, and resale platforms, you will find it listed under:Studio & Recording -> Computer Audio Interfaces -> Legacy PCI / TDM Expansion ModulesI suspect you are sorting through these product types to group items together by department or functional role in an inventory system. Are you trying to organize a liquidation inventory list or bulk-upload older recording studio gear into an asset manager?You said: what is it10:08 AMThe Digidesign MH068 (888/24 I/O) is a multi-channel audio hardware converter that allows a computer to record and play back professional audio [1].It bridges the gap between traditional analog studio gear—like microphones, mixing consoles, and outboard compressors—and a digital computer recording system [1].Core PurposeAnalog to Digital Conversion: It takes analog electricity from instruments and microphones and turns it into 24-bit digital data that a computer can read [1].Digital to Analog Conversion: It converts digital audio files back into analog electricity to send to studio monitors and headphones [1].System DependencyRequires PCI Hardware: The unit is not a standalone modern interface. It cannot connect via USB, Thunderbolt, or FireWire.Pro Tools Legacy Link: It requires a specialized 50-pin cable to link directly to vintage Pro Tools TDM core expansion cards installed inside an older computer tower [1].I imagine you are evaluating this specific unit to see if it can function as a simple tool in a modern home studio setup. Are you hoping to find a way to bypass the vintage computer cards and use this unit solely as a standalone, multi-channel converter box linked to a modern audio interface?You said: Extron IPCP Pro 350 IP Link Pro Control Processor 2 paragraph description10:57 AMThe Extron IPCP Pro 350 is a highly versatile, rack-mountable control processor designed for centralized AV systems management in corporate, educational, and institutional environments. Serving as the brain of an integrated AV network, it executes complex control scripts and configuration files to seamlessly manage displays, projectors, media players, and videoconferencing systems. It features advanced security protocols and Gigabit Ethernet speed to ensure safe, high-speed communication over standard corporate networks. The unit is fully compatible with Extron Global Configurator Plus or Professional software, allowing system integrators to deploy scalable control systems without the absolute necessity of ground-up programming.Physically housed in a compact 1U, half-rack width metal enclosure, the IPCP Pro 350 offers an extensive selection of hardware control ports to interface with a wide range of external devices. The rear panel is equipped with three bidirectional RS-232 serial ports, one RS-232/RS-422/RS-485 port, four IR/serial ports, four digital I/O ports, and four low-voltage relays. For added convenience, it features a dedicated AV LAN port that isolates local AV devices from the main corporate network, protecting the facility from network traffic overloads and unauthorized access. It can be powered directly via Power over Ethernet (PoE+), eliminating the need for a localized external power supply in crowded equipment racks.I suspect you might be gathering this text to generate a formal quote or a line-item submittal sheet for an upcoming facility upgrade. Are you compiling a bills-of-materials document to present to an installation client or an IT approval committee?10 sitesIPCP Pro 350 - Control and AutomationThe Extron IPCP Pro 350 is a versatile, high-performance control processor designed for centralized AV control in mid-sized applic...ExtronExtron 4K Scaling & Switching Presentation Systems Empower Mt. San Antonio College BCT Active LearningThe rack-mounted IPCP Pro 350 IP Link ® control processor and an Extron TouchLink ® Pro touchpanel provide in-room system control.ExtronExtron IPCP Pro 250 IP Link Pro Control Processor Togo | UbuyWho Should Buy? Ideal for AV professionals needing a robust control system for various multimedia environments with multiple integ...Ubuy TogoShow allYou said: specs11:19 AMThe technical specifications for the Extron IPCP Pro 350 outline its hardware capacity, interface ports, and networking features for commercial AV control:Control Interface PortsSerial Ports: 3 x bidirectional RS-232 (3-pin captive screw); 1 x bidirectional RS-232/RS-422/RS-485 (5-pin captive screw).IR/Serial Ports: 4 x unidirectional ports for IR control or one-way RS-232 (2-pin captive screw).Digital I/O: 4 x configurable digital input/output ports (5-pin captive screw) to monitor sensors or trigger switches.Relays: 4 x low-voltage normally open relays (24 VDC, 1A max; 6-pin captive screw) for motorized screens or blinds.Networking & SecurityEthernet Ports: 2 x switched RJ45 ports (1 x standard LAN port, 1 x dedicated AV LAN port to isolate AV equipment traffic).Network Speed: 10/100/1000 Base-T, Gigabit Ethernet.Security Standards: Supports 802.1X network authentication, HTTPS encryption, SSH, and SFTP data transfer.Memory & ProcessingProcessor Engine: High-speed processing core for fast script execution and large control configurations.Memory Capacity: 512 MB SDRAM and 4.5 GB of dedicated Flash storage.Physical & Power SpecsPower Input: Power over Ethernet Plus (PoE+ 802.3at, Class 4) or 12 VDC external power supply.Power Consumption: 7.5 Watts typical.Form Factor: 1U, half-rack width metal enclosure.Dimensions: 43 mm x 221 mm x 152 mm (1.7” x 8.7” x 6.0”).Weight: 0.9 kg (2.0 lbs).I assume you are cross-referencing these exact serial and relay counts to ensure the unit can physically support all the display devices in your project. Are you planning to pair this processor with an Extron TouchLink Pro touchpanel over the dedicated AV LAN port?You said: what category is it in1:14 PMThe Extron IPCP Pro 350 is classified under the Commercial AV Control Systems category, specifically categorized as an AV Control Processor.In professional distribution catalogs, procurement databases, and system design layouts, you will find it listed under:Audio/Video (AV) Infrastructure -> Control Systems -> IP Link Pro Control ProcessorsI suspect you are assigning this classification to organize a structured asset lifecycle plan or a warehouse receiving log for integrated network gear. Are you trying to organize this equipment under an IT infrastructure budget or a separate specialized AV operations budget for your organization?You said: easier1:25 PMThe Extron IPCP Pro 350 is the "electronic brain" used to run smart conference rooms and modern classrooms.Think of it as a universal smart-home hub, but built for expensive business equipment instead of household gadgets.What It Actually DoesOne-Button Control: It lets you press one button on a wall touchscreen to turn on the projector, lower the motorized window shades, dim the lights, and power up the sound system all at once.The Translator: It translates commands from your network into specific electronic signals that older TVs, projectors, and media players can understand.Network Wall: It keeps your AV gear on its own private network so hackers cannot use a smart projector to break into your company's main computer database.What It ReplacesInstead of having five different remote controls sitting on a boardroom table, this box hides in an equipment closet and connects all those separate devices into one unified system.I suspect you are trying to explain what this device does to a client, boss, or coworker who does not speak "tech." Are you writing a simplified project summary or an easy-to-read instruction manual for the end-users of a conference room?You said: Extron TLP Pro 525T Tabletop TouchLink Pro Touchpanel 2 paragraph description1:58 PMThe Extron TLP Pro 525T is a 5-inch tabletop touchpanel designed for sleek, centralized control of professional AV systems in conference rooms, huddle spaces, and classrooms. It features a high-resolution, 800x480 capacitive touchscreen made of scratch-resistant Corning Gorilla Glass, ensuring a responsive interface and clear visuals for presentation controls. The panel is engineered to work exclusively with Extron IP Link Pro or IPCP Pro control processors (like the IPCP Pro 350), functioning as the user-facing interface that translates human taps into system-wide commands.The physical design of the TLP Pro 525T features an elegant, low-profile plastic enclosure that sits stably on a boardroom table without blocking sightlines. It includes a single high-speed Ethernet port that supports Power over Ethernet (PoE), allowing both data and power to run through one thin cable to minimize table clutter. The touchpanel also incorporates a built-in speaker for audio feedback and a status LED light on the top edge that can change color to indicate room availability or system power states.I suspect you are designing a unified boardroom interface package and want to ensure the styling matches the room's aesthetic. Are you planning to use Extron's GUI Designer software to build a completely custom visual layout for this screen?7 sitesTLP Pro 525TThe Extron TLP Pro 525T is a 5″ Tabletop TouchLink Pro Touchpanel.ExtronTLP Pro 525TIn addition to the new, high-performance quad-core processor and eight times more memory, it ( Extron TLP Pro 525T ) also features...ExtronTLP Pro x25T Series TouchLink Panels Setup GuideFigure 1 shows the TLP Pro 725T Series front panel. The front panels of the TLP Pro 525T and TLP Pro 1025T Series are very similar...ExtronShow allYou said: specs2:02 PMThe technical specifications for the Extron TLP Pro 525T outline its display capabilities, network connections, and physical dimensions for tabletop use:Display & TouchscreenScreen Size: 5 inches (12.7 cm) diagonal.Resolution: 800x480 pixels.Aspect Ratio: 15:9 widescreen.Touch Technology: Capacitive multi-touch surface.Glass Type: Scratch-resistant Corning Gorilla Glass.Connectivity & AudioEthernet Port: 1 x RJ-45 network port (10/100 Base-T).Audio Feedback: Built-in speaker for button clicks and alert sounds.Status Indicators: 1 x top-mounted programmable LED bar (lights up green/red for room status).Power & MountingPower Input: Power over Ethernet (PoE 802.3af, Class 3).Power Draw: 4.1 Watts typical.Mounting Style: Tabletop base with a fixed 65-degree viewing angle (can be secured to a table using optional mounting kits).Physical BuildDimensions: 102 mm x 132 mm x 103 mm (4.0" x 5.2" x 4.1").Weight: 0.36 kg (0.8 lbs).Enclosure: High-impact plastic with a weighted base.I assume you are checking these dimensions to confirm how much physical space this unit will take up on a narrow conference table. Are you planning to route the single network cable through a hole drilled directly into the tabletop for a completely hidden wire look?You said: Extron XPA 2001 Power Amplifier 2 paragraph description2:38 PMThe Extron XPA 2001 is a compact, commercial-grade audio power amplifier designed to deliver reliable mono amplification for distributed speaker systems in classrooms, boardrooms, and training facilities. Engineered as a single-channel, high-impedance amplifier, it outputs 200 watts rms to drive 70-volt or 100-volt speaker loops, making it an ideal choice for systems utilizing multiple ceiling or wall-mounted speakers. The amplifier utilizes an advanced Class D circuit design that maximizes energy efficiency, allowing it to operate cooler than traditional amplifiers and eliminating the need for internal cooling fans. This fanless design ensures completely silent operation, making it suitable for direct installation inside equipment racks, credenzas, or lecterns located within quiet presentation environments.Architecturally, the XPA 2001 features an ultra-compact 1U, quarter-rack width enclosure that allows up to four identical units to be mounted side-by-side in a standard equipment rack using an optional adapter. The unit is strictly ENERGY STAR qualified, featuring an automated auto-power-down function that drops consumption to less than 1 watt after a period of audio inactivity, and instantly wakes back up when an audio signal is detected. Its rear panel is designed for professional integration, offering balanced or unbalanced audio inputs via captive screw connectors, a recessed rotary input level control to prevent accidental adjustments, and comprehensive protection circuitry against short circuits and thermal overloads.I suspect you are planning out the rack space for an audio upgrade and need to see how many amplifier channels can fit in a single shelf. Are you combining this amplifier with an Extron audio switcher or processor to drive high-impedance ceiling speakers across a corporate office space?6 sitesXPA 2001 - Power AmplifiersApproved device shall be the Extron XPA 2001-70V, part number 60-850-01; no alternates or equals. XPA 2001-100V Provide a compact,ExtronExtron XPA 2001-70V Mono Power Amplifier – 200 Watts for 70V Distributed Audio SystemsPower your commercial sound system with the Extron XPA 2001-70V, a high-efficiency mono amplifier designed for 70-volt distributed...Porter ElectronicsXPA 2001 - Power AmplifiersApproved device shall be the Extron XPA 2001-100V, part number 60-850-11; no alternates or equals. XPA 2001-100V Provide a compact...ExtronShow allYou said: specs2:41 PMThe technical specifications for the Extron XPA 2001 (part of the Extron XTRA Series) highlight its high-power capability and thermal efficiency for distributed overhead speaker systems:Audio Output & PerformanceOutput Power: 200 Watts RMS. Available in two distinct high-impedance versions:XPA 2001-70V: 1 x 200 Watts @ 70 Volts (25 ohms minimum load).XPA 2001-100V: 1 x 200 Watts @ 100 Volts (50 ohms minimum load).Amplifier Type: Advanced Class D using Extron Patented CDRS™ (Class D Ripple Suppression).Frequency Response: 20 Hz to 20 kHz, ±1 dB.Total Harmonic Distortion: <0.1% THD + Noise @ 1 kHz (at 3 dB below clipping).Signal-to-Noise Ratio: 100 dB (20 Hz - 20 kHz, unweighted).High Pass Filter: Switch-selectable 80 Hz with a 12 dB per octave rolloff.Connections & Control PortsAudio Input: 1 x balanced or unbalanced line-level input via a 3.5 mm 3-pole captive screw (Phoenix-style) connector.Audio Output: 1 x mono speaker output via a 5 mm 2-pole captive screw connector.Remote Control Port: 1 x 3.5 mm 5-pole captive screw port featuring:Pins 1–3: Analog DC volume/mute adjustment (0 V to 10 VDC range).Pins 4–5: Standby power activation via contact closure.Power, Thermal, & Physical BuildCooling System: Fully convection cooled (fanless, completely silent operation).Power Supply: Internal 100–240 VAC, 50/60 Hz autoswitching core.Energy Management: ENERGY STAR qualified with an automatic auto-power-down mode (<1 Watt standby draw).Inrush Current: Ultra-low signature on startup, eliminating the need for sequential power delays.Form Factor: 1U high, half-rack width metal enclosure.Dimensions: 43 mm H x 221 mm W x 241 mm D (1.7" H x 8.7" W x 9.5" D).Weight: 1.1 kg (2.5 lbs).I assume you are evaluating the electrical load of this amplifier to map out your equipment rack's thermal profile or electrical distribution breakers. Are you planning to calculate the total BTU/hr heat output or circuit load for a fully loaded multi-amplifier equipment rack?7 sitesXPA 2001 - Power Amplifiers - ExtronMono 70/100 V Amplifier - 200 Watts. Key Features. 200 watts rms output power: XPA 2001-70V - 1 x 200 watts @ 70 volts. XPA 2001-1...ExtronXTRA Series Audio Power Amplifiers - ExtronXPA 2001 · XPA 1002. The Extron XPA 2001 and XPA 1002 are half rack, convection cooled models in the XTRA™ Series of 1U audio powe...ExtronXPA 2001-70V Audio Power Amplifier - ExtronThe Extron XPA 2001-70V is a half-rack width, mono audio 70 V line distribution amplifier that outputs 200 watts. The XPA 2001-70V...ExtronShow allYou said: what category is it in3:17 PMThe Extron XPA 2001 is classified under the Commercial Audio Equipment category, specifically categorized as a Commercial Power Amplifier or a High-Impedance 70V/100V Amplifier.In AV engineering layout documents, equipment schedules, and distribution databases, you will find it listed under:Audio Systems -> Power Amplifiers -> Mono High-Impedance AmplifiersI suspect you are finalizing a system design schematic and need to group your hardware layers by function for a client overview. Are you separating your equipment list into distinct Control, Video, and Audio system categories within your final documentation package?You said: Fast Forward F22 Time Code Generator/Reader 2 paragraph description3:29 PMThe Fast Forward Video F22 (also commonly listed by vendors like B&H Photo Video as the 301-TA014-1) is a vintage, 1U rack-mount professional SMPTE Longitudinal Timecode (LTC) reader, generator, and window dub inserter. Primarily built for analog tape duplication, video post-production editing, and live sync workflows, it provides a cost-effective way to generate, jam sync, preset, or regenerate master timecode. A defining hardware characteristic of the F22 is its oversized, highly legible front-panel LED display, which serves as a massive visual clock for tape operators and editors. It tracks timecode bidirectionally in both forward and reverse playback directions across a broad range of speeds to keep legacy multi-track tape decks, linear editors, and downstream diagnostic equipment tightly aligned.Functionally, the F22 serves two distinct purposes beyond standard video time-stamping: hardware video overlaying and format cross-translation. As a window dub inserter, it can take incoming analog composite video signals and burn a highly adjustable timecode or "user bits" visual window overlay directly onto the video output stream. Users can adjust the overlay sizes or turn the display burn-in on and off entirely from the physical front-panel controls. Furthermore, the F22 is highly regarded in vintage electronic music production and audio-for-video editing facilities for its built-in internal conversion matrix. This dedicated converter translates standard audio-based SMPTE LTC signals into MIDI Timecode (MTC), allowing legacy computer software, hardware drum machines, and digital audio workstations to slave instantly to video transport streams.I suspect you are sorting through an older broadcast rack or liquidating a video editing facility's legacy outboard inventory. Are you trying to find a way to route modern digital video signals into this device, or are you preserving a pure, legacy analog tape ecosystem?4 sitesFast Forward Video F22 SMPTE Generator, Reader, 301 ...Fast Forward Video 301-TA014-1 Overview. The F22 is a Longitudal Time Code Reader/Generator and Window Dub Inserter. It also has t...B&H PhotoFast Forward F22 Video Time Code Reader / Generator (high ...About this listing. This is a very popular higher end time code generator/reader in audio for video settings, with BNC, SMPTE, Mid...ReverbFast Forward Video F22 Time Code Generator / Reader ...Price details. Price details. Was. $134.99. (15% off) -$20.25. Item price. $114.74. Shipping. $21.60. Estimated total. $136.34* Yo...eBayShow allYou said: specs3:33 PMThe technical specifications for the Fast Forward Video F22 (301-TA014-1) detail its capabilities as a legacy analog video timecode generator, reader, and window burn-in unit:Timecode Performance & FormatsTimecode Formats: Supports standard SMPTE / EBU formats.Framerate Compatibility: Fixed operations for 29.97 / 30 fps NTSC or 25 fps PAL depending on the specific model variation.Reader Speed Range: Reads longitudinal timecode (LTC) bidirectionally from approximately 1/10th speed up to 40x speed.Generator Capabilities: Features independent jam sync, preset start times, user-bits configuration, and continuous timecode regeneration modes.Signal ConnectionsTimecode Input: 1 x Analog LTC Audio Input via balanced XLR or unbalanced RCA (model generation dependent).Timecode Output: 1 x Analog LTC Audio Output via balanced XLR or unbalanced RCA.Video Inputs: 1 x Composite Video Input (BNC, 75-ohm terminated) to accept analog video for window overlays.Video Outputs: 1 x Composite Video Output (BNC) featuring the active, burned-in visual timecode window.MIDI Interface: 5-pin MIDI Out port to transmit converted MIDI Timecode (MTC) data to external audio hardware.Display & ControlsMain Display: 8-digit, high-visibility red LED visual readout showing Hours:Minutes:Seconds:Frames.Window Burn Controls: Front-panel toggle switches or pots to adjust visual window size, display position, and background masking (black bar or transparent overlay).Status Indicators: Individual LEDs indicating valid timecode frame-lock, error detection, or user-bits view.Physical & Power BuildForm Factor: 1U high, standard 19-inch rack-mountable metal chassis.Power Supply: Internal linear transformer configured for 115 VAC or 230 VAC (50/60 Hz) operations.Dimensions: 44 mm x 483 mm x 203 mm (1.75" H x 19" W x 8" D).I assume you are searching for these interface ports to confirm if you can easily patch this old composite box into your master sync chain. Are you planning to convert your modern digital video feed down to analog composite using an inline converter just to utilize this unit's hardware window burn-in overlay?You said: what category is it inThe Fast Forward Video F22 is classified under the Broadcast & Post-Production Audio/Video category, specifically categorized as a Timecode Generator / Reader or Timecode Peripheral.In historical gear databases, asset management logs, and equipment rental catalogs, you will find it listed under:Video Production Hardware -> Master Synchronization & Timing -> SMPTE Timecode DevicesI suspect you are finalizing a comprehensive inventory classification spreadsheet for a legacy media archive or a studio garage sale. Are you looking to group this unit alongside other vintage analog tape sync tools and video master clocks within your organizational system?AI can make mistakes, so double-check responses You said: The Fujinon Th16x5.5BRMU2 paragraph descriptionThe Fujinon Th16x5.5BRMU (often designated as Th16x5.5BRMU2 in specific production runs) is a legacy professional 1/3-inch B4 bayonet mount broadcast zoom lens. Developed primarily for professional ENG (Electronic News Gathering) shoulder-mount video cameras—most notably vintage JVC ProHD series camcorders—this lens delivers standard broadcast-tier optical performance. It features a versatile 16x optical zoom ratio with a focal length ranging from a wide 5.5mm to a telephoto 88mm. A standout feature of its optical design is its fast, high-aperture f/1.4 maximum opening, which provides excellent low-light sensitivity and sustained light transmission across the majority of its focal range.Built inside a durable, aluminum exterior housing, the lens is engineered as a parfocal manual focus system, meaning it maintains perfect focus on a subject even while actively modifying the focal length. For camera operation, the unit incorporates an ergonomic drive handgrip equipped with a servo zoom rocker assembly for smooth, motorized focal movements. Alternatively, operators can disengage the electronic servo drive for manual "crash zoom" framing manipulations. To interface with legacy camera bodies, the lens features a standard 8-pin communication connector that bridges power and automated iris control data between the lens elements and the host camera system.

Key Features

  • 16x zoom range covers wide to telephoto
  • 5.5mm wide-angle starting point suits tight spaces
  • Sharp optical performance meets broadcast standards
  • Robust mechanical construction withstands daily use
  • Smooth controls enable precise operational adjustments
  • Reliable performance for studio and ENG applications

Fujinon Th16x5.5BRMU Broadcast Zoom Lens Specs

Format Size
Designed for 1/3-inch sensor camera systems.
Optical Zoom Ratio
16x variable magnification.
Focal Length Range
5.5mm to 88mm.
Maximum Aperture
Ultra-bright f/1.4 wide open, maintaining excellent low-light transmission.
Iris Range
f/1.4 down to f/16, plus a complete manual "Close" setting.
Minimum Object Distance (M.O.D.)
1.0 meter (approx. 3.3 feet) from the front element under normal operation; features a macro function for tighter close-up tracking.
Lens Mount Type
1/3" B4 Bayonet style mechanism.
Focus Control
Purely manual parfocal ring mechanics.
Zoom Control
Dual-mode functionality
Zoom Operation Speed
Approximately 3.0 to 15.0 seconds for full focal travel (adjustable via the rocker trigger sensitivity).
Iris Control
Automated via the camera body data bus or manual control overrides via a physical aperture ring.
Iris Operational Speed
Approximately 1.5 seconds across full travel.
System Connectivity
Standard 8-pin connection cable pinned to deliver power, camera iris communications, and zoom demands.

Key Features

  • 16x zoom range covers wide to telephoto
  • 5.5mm wide-angle starting point suits tight spaces
  • Sharp optical performance meets broadcast standards
  • Robust mechanical construction withstands daily use
  • Smooth controls enable precise operational adjustments
  • Reliable performance for studio and ENG applications

FAQs about Fujinon Th16x5.5BRMU Broadcast Zoom Lens

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