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RME

RME Micstasy Microphone Preamp

$4,599.00

The Micstasy from RME is a full range, hi-end eight channel microphone/line preamp combined with an analog to digital converter. The unit allows for amplification and digitization of all analog signal sources, including high-level stage signals, studio signals, lower level and high-impedance instruments, or dynamic, condenser or ribbon microphones.

The analog and digital outputs can be used simultaneously. Microphone and line inputs are available on the rear panel, while instrument inputs are available for all eight channels on the front panel. Each channel can be controlled individually in respect to input levels and phase, phantom power and filter switching, or grouped in any combination, up to all eight channels.

Digital outputs include eight channels of AES/EBU and dual ADAT Lightpipe connectors. Both formats can function at high sample rates. Wordclock I/O is available on dedicated BNC connectors. To avoid degrading signal integrity, RME chose to avoid the use of limiters and provide instead automatic gain reduction with selectable threshold. Even with this feature engaged, any channel can still be adjusted manually.

The Micstacy will function equally well on the road as in the studio. Aside from a microphone preamp, the unit can function as a splitter box for stage use, distribute digital signal and also includes features like Intelligent Clock Control (ICC), SyncCheck, SteadyClock, TotalGain, AutoSet, MIDI over MADI and remote control via MADI and MIDI.

View Product Features

  • 8 balanced XLR line outputs
  • Large frequency range (200kHz) with EMI input filtering
  • Symmetrical hi-pass filter per channel
  • Provides near click-free gain changes
  • Automatic gain reduction with multiple channel linking
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About the RME Micstasy Microphone Preamp

Micstasy is an 8-Channel hi-end mic/line preamp and AD-converter combining typical RME features with a number of previously unseen features. It can be used analog (Mic/Line In to Line Out) and digital (Mic/Line In to Digital Out), with both signal paths operating simultaneously. Special highlight: the device is fully remote-controllable via MIDI (also MIDI over MADI).

The Micstasy's innovative concept allows for amplification and digitization of ALL analog signal sources. Be it high-level stage signals, typical studio signals, lower level and high-impedance instruments, or dynamic, condenser or ribbon microphones: Micstasy understands them all - in a way that is simply thrilling.

Key Features

  • 8 balanced XLR line outputs
  • Large frequency range (200kHz) with EMI input filtering
  • Symmetrical hi-pass filter per channel
  • Provides near click-free gain changes
  • Automatic gain reduction with multiple channel linking

RME Micstasy Microphone Preamp Specs

Frequency response -0.1 dB
20 Hz - 100 kHz
EIN @ 30 dB Gain @ 150 Ohm
122.3 dBu
EIN @ 40 dB Gain @ 150 Ohm
126.5 dBu
EIN @ 50/60/70 dB Gain @ 150 Ohm
127.4 dBu
THD+N @ 30 dB Gain
< -100 dB, < 0.001 %
Signal to Noise ratio AD (SNR) @ +30 dBu
115.2 dB RMS unweighted, 118.5 dBA
Signal to Noise ratio AD (SNR) @ +21 dBu
112.7 dB RMS unweighted, 116 dBA
Signal to Noise ratio AD (SNR) @ +13 dBu
110 dB RMS unweighted, 113 dBA
Sync sources
Internal, AES, word, Option (MADI)
Sample frequencies
44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, 176.4 kHz, 192 kHz, variable (external clocks)
Sample rate range
MADI: 32 - 192 kHz, word clock: 27 kHz - 200 kHz, AES: 28 kHz - 200 kHz
Jitter
Typical < 1 ns for internal, word clock, AES and MADI input
Jitter suppression
>30 dB (2.4 kHz)
Jitter sensitivity
all PLLs operate error-free even at 100 ns
Power supply
Internal switching mode PS, 100V - 240V AC, 60 Watt

Key Features

  • 8 balanced XLR line outputs
  • Large frequency range (200kHz) with EMI input filtering
  • Symmetrical hi-pass filter per channel
  • Provides near click-free gain changes
  • Automatic gain reduction with multiple channel linking
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